Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?
E.W. Emo
Director
Paul Hörbiger
Franz Schubert
Maria Andergast
Heiderl Tscholl
Else Elster
Hannerl Tscholl
Gustav Waldau
Herr Tschöll
Julia Serda
Frau Sofia Tscholl
Karl Braun
Johann Michael Vogl, master-singer
Iván Petrovich
Furlani
Gretl Theimer
Hedwig "Hederl" Tscholl
Aribert Wäscher
Verleger Artaria
Hans Junkermann
Hofrat Schauerhuber
Julius Brandt
Hofkanzleisekretär Juritsch
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.