The dentist of the provincial town of Upper Yamki made an unexpected scientific discovery by finding the thirty-third tooth in the patient’s oral cavity, Ivan Sergeyevich Travkin. Travkin, exhausted from pain, was taken to Moscow. Ivan Sergeyevich first becomes a patient of a madhouse (thanks to envious persons), and then — a hero of a scientific international conference and, finally, a patient of a dentist professor Bruk.
Georgiy Daneliya
Director
Evgeni Leonov
Ivan Sergeyevich Travkin
Nonna Mordyukova
Galina Petrovna Pristyazhnyuk
Inna Churikova
Roza Lyubashkina
Lyubov Sokolova
Lyuba Travkina
Rita Gladunko
Frosya
Viktor Avdyushko
Misha
Gennadiy Yalovich
Arkadiy Borisovich Sheremetyev
Nikolai Parfyonov
Prokhorov
Vilor Kuznetsov
Igor Bezrodnyy
Savely Kramarov
Rodion Khomutov
Arkadi Trusov
Anatoliy Petrovich Ivanov
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
'Airplane Mode' is a young adult movie that is about a woman who learns to step away from her smartphone, and from social media.
When I first saw the pilot for The Owl House, I knew instantly that it was special. It had an immense charm to not only its characters, but its story as well! It quickly became my sister and I’s go to Disney show to watch as a family, and we couldn’t wait to see what would happen next.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.