I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

It has been a year since Paige and Nathan Petrovic tragically lost their teenage son Zach. Nathan and daughter Addie have slowly been putting their lives back together. Paige, however, remains consumed by grief and withdrawn, and is unable to work. In order to supplement Paige's lost income, the family decides to rent out their spare bedroom. Surprisingly, life starts to look up for Paige once their new tenant Brandon Wilson enters the picture.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.