They Crawl Beneath (2022)

Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

This holiday movie serves as the prequel to the TV series The Really Loud House.

Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.

I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.

A young girl named Hailey Mays sings a country song that is named after the film's title.

Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes