Girls Will Be Girls in Whale Rider
People are so much deeper and far more extraordinary than what gender they were assigned at birth.

Set in a small village in the Congo, where one of the villagers’ favorite pastimes is either to watch or to take part in a form of very civilised "fighting" that involves two young men in loin cloths trying to flip the other to the ground. The action is over in a few seconds, and then another pair of fighters takes a turn, all the while reminded by the referee not to inflict hurt. An important match is coming up and the people in the village are backing their favourite, who spends his time in training with a Belgian coach, getting ready for the big day.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.