“Boy”
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.

Jin has never left the island where she was born, with no road to the mainland, where the sea sets the rhythm of everyday life and everyone is bound to one another. When Dujae, her childhood friend, returns for his grandmother's funeral and stays on in her empty house, Jin finds small excuses to visit, and little by little, seeing him becomes part of her daily routine. As the summer unfolds, the island she thought she knew starts to feel unfamiliar, its known faces and places quietly shifting into something new. For the first time, Jin sees the island, and herself, differently. But summer, like everything else on the island, will not stay.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Two Korean sisters must save their family after a ghost tears the family apart.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.