'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.

After twenty-five years in prison, Sarallah tries to avoid evil and theft, but in practice he cannot and steals again. One night, while fleeing (from the police pursuit), he enters the house of a cleric. The cleric's words captivate him and he leads an honorable life. Meeting a woman named Badri makes him determined to start a family and get married, but at this time, Badri's ex-wife arrives. Having a long-standing grudge against Badri, she accuses Badri of a serious crime and sends him to prison. Nasrallah is responsible for raising Badri's daughter, Maryam. Twenty years later, Badri sees his daughter Maryam again. At this time, Nasrallah is a staunch and honorable old man.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.