'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

This one has Nylon, an American dancer fleeing Morocco after her employer gets into trouble with the police, and she stops off at Tangiers on her way to Gibraltar. $50,000, in gold, is stolen from the ship's safe and the captain tells the police that the purser was the thief and that he had to kill him in self defense, but the purser must have hidden the money before he got dead. The purser isn't in any position to make a disclaimer. Everybody buys that with the exception of an insurance detective, Shapley, who, along with the audience, suspects the captain of being the thief shows up to investigate further. Written By Les Adams
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
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