
When Donald Bayne, known in the North as The Wolf, loses his cabin to Steve Nolan in a backwoods court, he threatens and thrashes the new owner, then leaves him to tend to his traps. Upon his return, he discovers that Nolan has been killed in a shooting accident and that Bess Nolan, his niece, has moved into the cabin with Rose, her sister's child. Unable to evict her, The Wolf camps out next to the cabin, but soon realizes that this act has compromised her honor in the town. To correct the situation, he forces her into marriage, but she maintains a safe distance from him. When Bess's sister and "Snaky" Burns, her brother-in-law, kidnap Rose for use in their criminal activities, Bess implores Donald to intervene.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Rap Sh!t has been confirmed for a second season by HBO! Go watch it and support this creative exploration of Hip-Hop culture from Issa Rae.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.