Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A triad leader is stripped of $6 million from a pair of con artists. By the time the cops arrive, the triad boss is left for dead and the outlaw twosome has narrowly escaped by taking a young girl hostage.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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