The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Two best friends in college Mitch and Elizabeth make a pact that if in ten years after graduation they are both not married they will marry each other. Ten years later Mitch (still single) finds out Elizabeth never got married so he decides to travel across the country, find her and follow through on their pact. What he soon realizes is it wont be a simple as he thought.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.