“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Reconting the triumph of thwarted love thanks to cunning, Frederick Ashton’s virtuoso rendition of Dauberval's 18th Century classic "La Fille mal gardée" is a masterpiece. Its lasting popularity is not merely due to the perfect fluidity of the choreography, but also to the irresistible charm of the characters, brought to life with humour and subtlety. Be it in the farmyard or the cornfield, the hearts of Lise and Colas search for - and eventually find - each other, and in the manner of a musical, their delightful story will carry you away with its whimsy and smiles.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.