‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Three young men, hailing from different social backgrounds with different vistas and predilections on a single mission is the situation pursued by 'The Way To Be'. Through a non-linear treatment, the pursuit brings forth how an indigenous tribe that preserves and practices a primitive method of gold mining, can trigger a violent chain reaction of events that are both unconnected and connected.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
Two Korean sisters must save their family after a ghost tears the family apart.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.