Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

Circa late 1930s, Boat Quay, Singapore. A young boy receives an old violin as a gift out of kindness from a foreign trader. From then on, it becomes a treasured possession as he teaches himself to play the instrument over several years, until it was lost during the Japanese Occupation of Singapore. After the war, the violin was found by a man working for the British Military Administration and given to his young daughter. The girl learns to play it and becomes a renowned violinist over the decades. She eventually passes the instrument on to her grandson, an accomplished violinist himself, who restores it and performs in a concert by the Singapore River, where the violin started its unexpected journey nearly 80 years ago.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
An attempt to capture nostalgia that unfortunately just doesn’t work
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7