Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

WW2 is coming to an end. On the seaside, resistant fighters are captured and imprisoned in a basement. Within an hour, all of them will be shot—an hour of fear, of impossible dreams, of false hopes. Based on a Bernanos play, it sometimes recalls, by the subject of sacrifice (a sacrifice of an average human being is not an average one), "Dialogue des Carmélites," in which nuns, during the French Revolution, were guillotined because they would have betrayed their faith if they had accepted the new rules.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
On March 31st, International Trans Day of Visibility, the trailer for Zola finally dropped with a brief cameo from a queer icon.
The external threat invaded the domestic environment at the most valuable moment: grieving.