Short documentary profiling the life of British 'Blonde Bombshell' Diana Dors, who died of cancer in 1984. Movie clips and TV footage are mixed with celebrity interviews, including rare appearances by actor Rod Steiger and veteran director J. Lee Thompson. There is some interesting location work at Dors' lavish Sunningdale mansion and plenty of long-unseen film clips, but the documentary ultimately glosses over her scandalous, and often seedy, life.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
