The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

In this Japanese drama, a village girl goes to Tokyo and becomes a sex worker to support her ailing mother. While there she meets an unmarried teacher (at least he says he's unmarried) and falls in love.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.