Eva lives in the sinister Tower with her father, a mad inventor, and her grandfather. The aviator Wilfred Durian and his lovely wife live nearby in the town. But Durian's famous flight across the Australian desert was not all it seems... and when his 'dead' partner Arved Holl is rescued by Eva and comes to claim his former fiancée's hand, the whole house of cards is about to come tumbling down. Meanwhile, Eva's own family history is not quite as she had always believed...
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
The second film takes us on Peter's journey to be understood.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
Intergenerational friendships and community can be so powerful, and this was a great example.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
