Sirāt: No Lesson to Learn
The one-way journey went to the desert that refused to offer an answer or a transcendence.

Northern Morocco. Beginning of the 90s. With his Bac in hand, Rahil decides, against the advice of his family, to continue his studies at the University. There she discovers the growing influence of the Islamists. A handful of union activists are trying to resist. Said, a brilliant student, until then on the sidelines of the movement, decides to conquer it, to throw himself with all his might into the fight ... Fallen under the spell, is Rahil ready to commit in turn?
The one-way journey went to the desert that refused to offer an answer or a transcendence.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
There is no aspect of this film that falls short, except perhaps in minor ways.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Two Korean sisters must save their family after a ghost tears the family apart.