The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.

Lying on a spring soil of the Gran Paradiso massif, Boque, injured and exhausted, will die. It's the end of a busy life as an ibex, punctuated by tightrope walks along the vertiginous cliffs of the Italian Alps, dodging against lurking predators, and tough duels against his fellow creatures. From his birth, Boque will have survived many dangers hidden in the shadow of the massif: the golden eagle, the fox or the wolf, but also the snow squalls which cover the landscape with a white coat, making all food inaccessible. As he grew up, Boque asserted himself as an ibex respected by his congeners, until he became, like his father before him, the dominant of the herd.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.