Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Third Date poster

The Third Date (2003)

It may only be the third date, but Tony knows it's time to pop the question and make the beautiful, shy Katrina his wife. And what better place for romance than Coney Island? Using his family's old mob connections, Tony has mapped out every detail for a very special evening. But Coney Island's finest its hot dog lady, rollercoaster operator, cotton candy vendor and performing freak have their own way of doing things. And the date of his life turns out to be more than Tony bargained for.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


It may only be the third date, but Tony knows it's time to pop the question and make the beautiful, shy Katrina his wife. And what better place for romance than Coney Island? Using his family's old mob connections, Tony has mapped out every detail for a very special evening. But Coney Island's finest its hot dog lady, rollercoaster operator, cotton candy vendor and performing freak have their own way of doing things. And the date of his life turns out to be more than Tony bargained for.

Rating:
Genre:
Directed By:Amy Barrett
Written By:Amy Barrett
In Theaters:12/31/2003
Box Office:

Runtime:16 minutes
Studio:Gigantic Pictures, Iron Films

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik