Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Big-hearted Prue, living in the slums, and Danny O'Maddigan, a reformed crook, want to buy a birthday cake for Prue's 75-year-old grandmother. They live across the hall from Ellen Rutherford, the destitute widow of Steven Rutherford, Jr., who was disinherited by his father, a wealthy candy manufacturer. Prue, who works at the candy factory, gives Ellen the money that was meant for her grandmother's cake so Ellen will be able to care for her son Bobby. Frustrated over the loss of the money, Danny steals the price of a cake from the factory's safe, leaving the safe's door open in his haste to depart.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.