"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
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A reclusive woman sees a homeless man drawing with chalk on the sidewalk. She takes pity and invites him in, only to realize he can't stop painting pictures. That was many years ago.
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With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.