Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

May Munro is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick, a retired explosives expert, to kill her parents' killers. When Ned Trent, embittered ex-partner of Quick's, is assigned to protect one of Quick's potential victims, a deadly game of cat and mouse ensues.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.