March 1965. In the heat of the Cold War, the USA and the USSR are competing for supremacy in space. What both superpowers aim for in this race, is to be the first to have a man walk in outer space. To accomplish that, no price is too high and no risk is too great. Now it’s up to the unlikely duo of a seasoned war veteran and a hot-headed test-pilot to fulfill this mission. Two men in a tiny spaceship, without proper testing, facing the complete unknown. They were supposed to do what no man has done before—and no man imagined what would happen next.
Dmitry Kiselyov
Director
Evgeny Mironov
Alexey Leonov
Konstantin Khabensky
Pavel Belyaev
Vladimir Ilin
Sergey Korolev
Anatoliy Kotenyov
Nikolay Kamanin
Aleksandra Ursulyak
Svetlana Leonova
Elena Panova
Tatyana Belyaeva
Aleksandr Ilyin Jr
Vladimir Markelov
Yuriy Itskov
Boris Chertok
Kirill Poluhin
Unit commander
Vitaliya Kornienko
Lyuda Belyaeva
Saveliy Kudryashov
Young Alexey Leonov
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.