The Snake Mountain Colada (2009)

David Fincher is back in his playpen, with a dark and chilling thriller.

Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.

Dracula evolved from a person to a monster and then from a monster to a person.

I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration. 

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.