'Venom: Let There Be Carnage' Is a Gay Love Story and I'm Here for It
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.

A young woman, struggling to become a novelist, has her life go into a tailspin. Her first novel is rejected, her non-committal boy friend decides to take a powder, her best friend moves to Mexico for an acting job, and her mother announces that her long presumed dead father is actually a hippie photographer who has come to town to meet her. Sinking into a depression at being a total failure at 28, she starts fantasizing about suicide. In her depths of despair she meets various eccentric characters including a chain-smoking Santa Claus and an obnoxious literary agent. But her belief in herself is only restored when she meets a patient in a hospital where she does volunteer work.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.