Sung-chul (Park Joong-hoon), a Korean gangster, flees to Japan after killing a subordinate. On the flight, He-gu (Park Sang-min), an aspiring bartender, discovers his true identity and is forced to act as his guide. Despite multiple betrayals and brushes with death, the two form an uneasy bond. As Sung-chul rises through the ranks of the yakuza, He-gu too is drawn into the criminal underworld. Clumsy but determined, He-gu survives power struggles, betrayal, and heartbreak—only to make reckless decisions that ultimately lead to chaos. In the end, Sung-chul is ordered to eliminate He-gu. At the seaside, after one final plea for mercy, He-gu is shot dead by Sung-chul, who walks away silently.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Now that we're officially halfway through Hispanic Heritage Month, let's look ahead at movies featuring Hispanic & Latine representation through the rest of 2021.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
