Exit 8: The Endless Loop in the Modern Society
A man found himself stuck inside the passage to the subway exit on the way to work.

A 19th century Japanese scientist is distraught over the rampant European and American influence in his country. In a fit of madness, he builds a steam-powered monster suit to chase off the Westerners.
A man found himself stuck inside the passage to the subway exit on the way to work.
A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
A teen comedy that nobody wants to see.