‘Avatar: The Last Airbender’ is now on Netflix
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.

Plan B (1997). The fourth and final installment of the Plan B fourology, The Revolution gives a timely nod to the fundamental changes the team's diverse video productions- Questionable (1992), Virtual Reality (1993), Second Hand Smoke (1994)- made in the direction of modern skateboarding. While stomping a broad and progressive path into the sport's future, each and every incarnation of the Plan B team typified real to real skateboarding, period. Over three years in the making , and well worth the wait Revolution is far the most modern of the company's video offerings in both form and content, but by no means follows the standard format of the day, choosing instead to lead the world of skateboarding to the bitter end. In order of appearance: Pat Channita, Matt Hensley, Jeremy Wray, Rick McCrank, Brian Emmers, Pat Duffy, Colin McKay, and Danny Way.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.