The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.

Plan B (1997). The fourth and final installment of the Plan B fourology, The Revolution gives a timely nod to the fundamental changes the team's diverse video productions- Questionable (1992), Virtual Reality (1993), Second Hand Smoke (1994)- made in the direction of modern skateboarding. While stomping a broad and progressive path into the sport's future, each and every incarnation of the Plan B team typified real to real skateboarding, period. Over three years in the making , and well worth the wait Revolution is far the most modern of the company's video offerings in both form and content, but by no means follows the standard format of the day, choosing instead to lead the world of skateboarding to the bitter end. In order of appearance: Pat Channita, Matt Hensley, Jeremy Wray, Rick McCrank, Brian Emmers, Pat Duffy, Colin McKay, and Danny Way.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.