I Was a “Teenage Sex and Death at Camp Miasma”
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
The Reserve
A television performance based on the works of Sergey Dovlatov. Recorded and edited performance by the Mossovet Theatre, initially directed by M. Sonnenstral, and completed after his sudden death by O. Anokhina.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A television performance based on the works of Sergey Dovlatov. Recorded and edited performance by the Mossovet Theatre, initially directed by M. Sonnenstral, and completed after his sudden death by O. Anokhina.
Rating:
Genre:Drama, TV Movie
Written By:Olga Anokhina, Mikhail Zonnenshtral
In Theaters:
Box Office:
Runtime:
Studio:Russia-K
Articles You May Like
Everything Everywhere All at Once... and More | Incluvie Movie Highlights Podcast
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
"Sonic The Hedgehog": Gotta Go Fast
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.
The Determination and Heart of A "Soul Surfer"
Based on Bethany's autobiography "Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board," this heartwarming film tracks the struggle to pursue normalcy and ambition after a major injury.
'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.