“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

Nearly 13, Alice rebels, telling the Paris police that her mother is a murderer. Alice has no evidence; her mother, Eva, rich and powerful, avoids charges. Alice promptly runs away, determined to find her dad whom she claims lives in Portugal. The police believe he is dead and that Alice is in denial. Nonetheless, they dispatch Anita, an Italian police officer on loan to the French, to find Alice and bring her back. Meanwhile, Eva has launched her own paramilitary force to hunt for Alice, and Alice has found a protector in Hugo, an ex-soldier turned hit man and gang member. He promises to get her to her father. All roads lead to a small town on the Portuguese coast.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Inspiring and diverse animated series for the whole family.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.