In Restoration-era France, the ambitious Julien Sorel rises through society thanks to his intelligence, charm, and determination. Torn between Madame de Rênal and Mathilde de La Mole, he becomes entangled in passionate affairs, political intrigue, and religious conflict that ultimately shape his tragic fate. Inspired by Stendhal's classic novel, Pierre Lacotte transforms Le Rouge et le Noir into a grand three-act ballet set to an anthology of music by Jules Massenet.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
