In the figure of Ettore Zambrini, a small industrialist with a dream of opening a factory overlooking the Autostrada del Sole, Montaldo offers us an effective narrative transposition of the 'animal spirits' that governed the economic boom in Italy at the time. He is a character of contradictory humanity: capable of handling business, overdue bills, trade union relations, marital betrayal, but also the passion that binds him to his wife with equal unscrupulousness.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
The whole family will enjoy these fantasy and science fiction stories about families and individuals connecting, finding true love, and discovering self.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
This holiday movie serves as the prequel to the TV series The Really Loud House.
