Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

A fiercely active Communard, Louise Michel is condemned for taking arms against Bismarck. Along with thousands of other revolutionaries, she is deported to New Caledonia, whilst, back in Paris, a young parliamentarian Georges Clemenceau campaigns for a truce with the Communards. During her exile, Louise Michel becomes a teacher and wins the admiration of the other deportees, inspiring them to rise up against the colonial order…
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
If you want to feel the rush, you have to take the risk.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.