Negative Reactions to ‘Barbie’ Reveal the Pressure of Representation
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?

In the early 1990s, in a suburb on the outskirts of Toulouse, a group of teenagers are drawn to an abandoned house that exerts a strange power on them. After one of their friends dies under disturbing circumstances, they decide to enter the house, not suspecting it’s alive with something supernatural. Once they enter it, it begins to feed on their private fears, desires and traumas, turning their psychological vulnerabilities into something monstrous and inescapable.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.
Swapped combines comedy, adventure and emotional growth while delivering one of the biggest plot twists in animation history.