
Planet Kathigana and it’s inhabitants, the Kathigas, have been ravaged by war at the hands of the evil Anadaîn. The Anadaîn are treacherous beings with overwhelming powers hell-bent on eradicating everything in their path. Kedjorian, a revered Kathiga hero has been assigned to protect a sacred emissary, a messenger who possesses the map to the Raiven, the legendary weapon that could end the war. Kedjorian’s ship is shot down and forces him to crash land in the outskirts of Kathigana, a region overrun with Anadaîn forces. Despite being gravely injured, Kedjorian must fight with everything he’s got to protect the emissary and the map from a very powerful Andaîn grunt. Kedjorian confronts the troubling notion that he must give everything, including his own life, to protect a weapon that may or may not exist…
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.