All Hail The Queen of Basketball, May She Reign in Peace...and Win An Oscar
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics

This bold interpretation of Shakespeare’s comedic masterpiece features Danielle Brooks (“Orange is the New Black,” Broadway’s “The Color Purple”) and Grantham Coleman (“Buzzer,” “The Americans”) as the sparring lovers Beatrice and Benedick. Tony Award winner Kenny Leon (“American Son,” “A Raisin in the Sun”) directs with choreography by Tony Award nominee Camille A. Brown (“Choir Boy”). Set in contemporary Georgia with an election race underway, Great Performances: Much Ado About Nothing finds the community of Messina celebrating a break from an ongoing war, but not all is peaceful amid the merriment. Former rivals battle it out, revenge is sought and trickery runs amok in this timeless comedy of romantic retribution and miscommunication. Earning a New York Times Critic’s Pick, the play was recorded during its final weekend of Free Shakespeare in the Park performances, June 22-23, 2019.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.