Jean-Pierre, a wealthy businessman, is lonely. He still desires his wife but she only seems interested in shopping and the beauty salon. Tired of lunching alone every day, one day he decides to invite his chauffeur to join him, and a relationship quickly develops as the two find they have much in common. Are they just cash machines for their wives? Don't they deserve some love in return? Jean-Pierre confiscates his wife's credit card, but things don't turn out exactly the way he'd hoped...
Alexandra Leclère
Director
Christian Clavier
Jean-Pierre Ménard
Gérard Lanvin
Richard
Géraldine Pailhas
Caroline
Patrick Chesnais
Grégoire
Anaïs Demoustier
Justine Ménard
Maud Buquet
La prostituée
Nathalie Baye
Odile Ménard
Antoine Smadja
Barman
Emilie Lafarge
Jacqueline
Francis Leplay
Agent immobilier
Jean-François Robin
Homme immobilier
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.