Entitlement and the Food Industry in 'The Menu'
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.

In the idyllic suburban distopia of Orange, the affable but clueless Paul agrees to be a drug courier for Mr. Ball who's about to take delivery of a drug rumored to be "more addictive than air." Against the better judgment of his best friend D., Paul does the deal for quick cash, but the supplier turns on him and murders D. in the ensuing shootout. Paul goes on the lam with the cash and the stash, but only after promising his dying friend that he'll flush it before Ball puts them in the street.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like