
This Keystone from the end of 1914, involving the usual suspects running around some plumbing issues will not hold many surprises for those familiar with Keystone in this period, or, indeed, with the works of the Three Stooges, who often played inept plumbers. It is, nonetheless, very nicely performed, especially by Charles Murray who mugs it up freely and ineptly, as well as the pretty girl who plays the house's maid.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".