
Damien and his friends are garbage collectors in a small provincial town. One day, Damien finds a decomposing corpse in the dump where he works, but also a knife that turns out to be his. Because of his personal and social environment (an omnipresent mother, humiliating friends, an unenviable situation) and because he arrives at a moment in his life when he realizes that he is nothing to anyone, Damien wants to prove that he is capable of doing something with his life, of becoming someone, by finding the murderer who is prowling around the dump. In the course of his investigation, he meets Julie, a young divorced woman who is a little lost and who moves in across the street from him. But as his investigations progress, Damien wonders if he is not the killer he is looking for.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
An action film led by two queens, fighting for what they believe in through power and pain.
The film is a powerful narrative encompassing a theme that many people can identify with.
A legacy based on the comic strip for old and new fans of Peanuts.