We Are Going to Sing 2 the Redshore City
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.

Damien and his friends are garbage collectors in a small provincial town. One day, Damien finds a decomposing corpse in the dump where he works, but also a knife that turns out to be his. Because of his personal and social environment (an omnipresent mother, humiliating friends, an unenviable situation) and because he arrives at a moment in his life when he realizes that he is nothing to anyone, Damien wants to prove that he is capable of doing something with his life, of becoming someone, by finding the murderer who is prowling around the dump. In the course of his investigation, he meets Julie, a young divorced woman who is a little lost and who moves in across the street from him. But as his investigations progress, Damien wonders if he is not the killer he is looking for.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.