Francois Villon, vagabond, poet and philosopher, and his friend Colin, leave the vagabond camp and start for Paris. En route to that city, Villon's heart is touched at sight of the eviction of an elderly couple from their poor home. Whereupon he empties his own and Colin's purse, pays the Beadle, and then resume their journey. Overcome with the pangs of hunger, they "lift " the purses of a couple of corpulent monks. For this breach of law both Villon and Colin are arrested and thrown into prison. This film and By the Sun's Rays are two of Chaney's earliest surviving films.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
