Evil in the Home of an Influencer
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.

After the tragic loss of their parents, Sofi and Boban are forced to grow up way faster than kids their age. With the help of their loved ones, they try to figure out the reality that they live in. Their outlook on the world drastically changes when they find the world that they've always dreamed of. All that's left is a seemingly impossible decision: the real world or the other side?
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.