Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Six best friends decide to make an impulse trip to Las Vegas in hopes of mending Santi and Annie's dying relationship. When Clive decides to stage a breakdown so Santi can "save the day", their truck "actually" breaks down in the middle of a long-ago forgotten ghost town. The eclectic group soon learns about the old legend of "Harold Oates aka The Oatmeal Man" and find themselves in the middle of a blood thirsty killer's luring ground. Will the group make it through the night? Or will they become a breakfast topping?
Eddington attempts to capture how media is intertwined with the uncomfortable present.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.