“I’m Just F*cking With You": Hulu’s Gruesome Take on April Fools’ Day
An excellent exploration of taking a joke too far.

Rome, early 20th century: a wealthy psychiatrist, who runs an asylum for women and lacks imagination in his practice, must find a wet nurse for his infant when his wife panics after childbirth. He brings a peasant, Annette, to Rome, forcing her to leave her own baby behind. To the consternation and increasing anger of the wife, the nanny immediately bonds with the couple's infant son - Annette's a natural. Against a backdrop of leftist demonstrations, Annette, who's lover is a teacher jailed for subversion, asks the doctor to teach her to read and write. Her nature and curiosity, the doctor's bland ideas, he and his wife's problems, and the two infants bring the story to a head.
An excellent exploration of taking a joke too far.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.