“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

“The Mudguard and a Lonely Monkey” is an essay film of so-called artist, Wichanon Somumjarn. He went back to his hometown, Khon Kaen. This city was located in the northeastern of Thailand. With his new project “From the Muddy Banks of Chee River” a thriller-arthouse cinema on “nano budget”. He and his friends started an investigation on real problems and real locations. As reflective between this essay film and fiction film.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.