Three ethnic school kids from Sydney's western suburbs form a punk band in the 80s. The Hard-Ons fight racism, the music industry and the rise of grunge with their pop punk noise, irreverent humour and absolute commitment to just being themselves.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
