I Watched Amazon's Girlboss 'Cinderella' So You Don't Have To
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.

In this modern adaptation of the ancient Persian poet Ferdowsi’s epic drama, the puppets set out in search of Rostam, an ancient hero who was abducted. After great hardship they rescue ancient heroes’ puppets that are facing crisis due to a conspiracy by modern robot toys’. Adopting a frame story structure, the film unfolds tales of the puppets appearing in the puppet show in several different layers. Narratively, on one axis it attempts a modernized restoration of the traditional puppet show, on the verge of disappearing, while on the other axis it awakens the ancient spirit of the times, through all the ancient heroes on parade. Tradition and modernity, heroes and villains are not opponents, but harmonize in the film. The puppet shows begin with rap and dance, and actual images and animation are intertwined. Fantasy and reality co-exist in this interesting work in which all the great Iranian heroes appear. Ultimately, it is a heart-warming film that shows harmony and love.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Sweetheart provides a stark example of self-isolation taken to its extreme.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.