“Forbidden Fruits” (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

When Dorset postman Clive Peacock is forced into early retirement, the years ahead look bleak. But on his last day in the job, in a moment of unexpected rebellion he makes a decision that will change his life. As he makes his final collection from the postbox in the small seaside town where he lives, he decides to deliver the letters himself, by hand, no matter the destination. Mounting his trusty bicycle, he sets off on what proves to be an odyssey of self-discovery. Pursued by the police and lionised by the media, Clive becomes both a fugitive and a reluctant hero.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
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